![]() ![]() Caramelization of marmalades through ‘close readings, negotiations, integrations, theoretical generalization and aesthetic judgement’ awestruck wondrous magic and splendorous flora-fauna. Gabriel’s announcement in rendition to the poster presentation startles Ariel, compelling the fantastically misanthrope Caliban and devalues exhumation of sea-wayfaring, mystic recluse, maiden-mermaid Annabelle Lee. ‘Crystallization’ connotes exploratory critical responses and explanatory noteworthy arguments. I must profess the lionhearted proclamation and extoll the integrity of ‘Interpreting Undergraduate Research Posters in the Literature Classroom’. William Golding’s ‘Lord of the Flies’ as skeptics critics venerate to be of utmost devotional subject in contextualizing modern times and whatsoever, whosoever, whomsoever might be gregarious to compare and contrast HG Wells’ ‘War of The Worlds’. A damnable shit of effigy caricatures and frolicsome buffoonery would be succulent and amorphous rendering to the catering of farmyard’s hullabaloos banishment. Why would I have to abandon reading Hardy’s harrowing pastoral landscapes and relegate Tess to be the subject of exploitation under ecocritical feminist perspectival regime. They are today ,in fact, hackneyed notions of idiosyncrasies and that’s for sure. I am not discoursing upon the issue of bleakish modernists’ cosmopolitan viewpoint in alluding to the harangues and tirades of social, political, economical, cultural phenomenon –the boudoirs, saloons, cafes, restaurants, pubs and taverns, attics and ottomans, chest drawers and closets and so on. An Oxford graduate working in historic Shakespearean theatre and a Cambridge post-doctoral fellow with the essence of literary critique’s appetite have their fantabulous perspectives in demarcation with trademarks of legacy hallmarks. Swedish universities offertory of diversity and variety stylistically and aesthetically bestows the upcoming prospective learners and apprentice pupils with the multifarious majors and minors. The scholastic and intellectual terrain and arena have gone to highlight features of romantic theory and critical traditions spotlight. Eventually Dead Poets Society showcases personification of abstraction toward nebulous and mercurial film productions and movies adaptations integrating to the confederacy of theatre and performance studies. Creative Writing and English Literature have mainstreamed their destinations with the stars of heaven. ![]() In multicultural and pluralistic sovereign global village epoch’s literary accolades and British Library’s Discovering Literature ‘treasure hunts and golden nuggets’ prospects echo the voice of transcended relationship between independent extension project work and non- examined assessments. I am writing in Ariel spirits surmising the incantation of Raphael and Gabriel as they are the epitomes of Archangels with their dukedom and kingdom. ![]() and Existentialist Beckett’s re-envisioning ‘Yes, yes, we’re magicians.’ benignly mainstream cognitive narratives. Bernard Shaw’s heartfelt lines ‘The theatre should be a factory of thought, promoter of conscience, elucidator of social conduct, armoury against dullness and despair and a temple to the ascent of man. Write without fear and edit without mercy’ and quintessentially Hogwarts would have been alluring and enticing as the epitaph of Hagrid, ‘Hagrid has been known to befriend giant spiders, buys vicious three-headed dogs from men in pubs and sneaks illegal dragon eggs into his chamber’. Takeaway Quotable Quotes ‘Whether or not you write well, write bravely.
0 Comments
Leave a Reply. |